When does a trilogy become a quadrilogy? It’s only clear with the benefit of hindsight that Toy Story 3 felt felt like such definitive closure because the audience, especially those who grew up with the movies over 15 years, identified so intensely with Andy. As Andy gave away the toys (or characters), which meant so much to him, the audience was put squarely in his position for maximum emotional effect. But this is to discount the toys. Toy Story 4 asks itself and successfully answers the question, “How can Woody, the ultimate dutiful toy, evolve?” When does a trilogy become a quadrilogy? When there’s more story to tell. And why, besides a sweet box office haul, Toy Story 4? Because the characters need it.
Longtime Toyheads may be disappointed that Buzz Lightyear, Jessie, Hamm, and the gang are relatively sidelined in this film. For me, it’s the sign of a focused movie, and much preferable to the How to Train Your Dragon: The Hidden World move of giving every tertiary comic character an arc. It also leaves room for shiny new and returning toys!
The delightful Duke Caboom is given a tragicomic backstory worthy of Sergeant Calhoun from Wreck-it Ralph. Gabby Gabby is already one of the great Disney villains (with one major caveat it would be a spoiler to discuss). Bunny and Ducky get a nice running joke that plays with the rules of the Toy Story world. Bo Peep returns after a one-movie absence, with a new streetwise characterization and, with the benefit of 2019 animation, gorgeous porcelain detailing.
And then there’s Forky. Made out of a spork, pipe cleaners, googly eyes, and not much else, this brilliant addition to the cast gives a new perspective on the weird rules of what it means to be a child’s toy, or indeed, alive as a toy. Caught in an identity crisis between spork and toy, Forky longs to be thrown away. In this quite subversive move, we remember the harrowing furnace sequence in Toy Story 3, and realize quite explicitly that Forky wants to die like that.
It might even be said that for those still unconvinced by a fourth Toy Story, Forky is an avatar for the whole movie. He doesn’t understand the point of his existence – he constantly feels the pull to the trash can, like a rejected story idea in the writers’ room – and ultimately finds self-worth, understanding, peace, and purpose.
And what Toy Story 4 successfully plays out is a movie with a small scale, but apocalyptically high stakes for the characters. Most of the movie takes place in one antique store, and across the street, in a seasonal carnival. But the characters want what they want with every plastic fiber of their being, and wrestle with existential crises as well as external ones. And you will reward the film with tears for it. I’m not super-duper familiar with Toy Story. I like the movies, I grew up with it to an extent, but I don’t have nostalgia for it baked into me. Toy Story 4 emotionally flattened me, so just imagine what it’ll do for people with a deep love for this series. Why Toy Story 4? Because despite what Woody says to Bo Peep, you can teach an old toy new tricks.
P.S.: I appreciate the cameo of a couple late 1970s Kenner Star Wars figures. There’s an Obi-Wan Kenobi, and I believe a Greedo – though because I just got a glimpse, it could be Ponda Baba/Walrus Man.